While TROUBLE EVERY DAY’s mix of sexuality and violence is meant to shock, its almost clinical detachment at other times alienates the viewer. The end result is to create an amoral world from which there is no way out — for both characters within the film and spectators in the audience.
Retrospectively seen by film critics and scholars as one of the first films of the French cinéma du corps (also known as the French New Extremity), François Ozon’s suspense thriller See the Sea (Regarde la Mer, 1997) is a bit tamer than later extreme cinema would become. Nevertheless, it has its transgressive physical moments (both sexual and violent). What’s most interesting about the film is the individual psychologies of both major characters, Sasha (Sasha Hails) and Tatiana (Marina de Van), as they play out in the context of an increasingly strange relationship. The strangeness comes from various boundary-crossing moments that start small but add up to a gruesome finale and suffuse the narrative with an overall sense of impending horror.