Category Archives: Science Fiction Films

March 29

“The Belko Experiment” (2017): Slaughterhouse 9-to-5

It’s Lord of the Flies with suits and ties.

March 23

Series Rundown: “Resident Evil” (2002 – 2017)

The original may not be the best, but it remains the most cinematic of the series.

February 01

“Resident Evil: The Final Chapter” (2017) and the Case for Chaos

For fuck’s sake, even I don’t know what I’m talking about.

January 17

A HONEYMOON (2014) from Hell

An alien presence turns wives into husband-killing monsters in writer-director Leigh Janiak’s feature debut, the indie science-fiction horror film Honeymoon (2014). In their native urban environment (likely New York City), newlyweds Bea (Rose Leslie) and Paul (Harry Treadaway) seem like an average (including their quirks) yuppie couple. When they go from city to country (crossing the border into Canada in the process), the ties that bind — along with the gender roles defined by contemporary heterosexual marriage — go out the window when an eerie light shines into it, focusing on new wife Bea.

December 16

Indie Film Friday: “They Look Like People” (2015)

THEY LOOK LIKE PEOPLE (2015, dir. Perry Blackshear) focuses on the social alienation of young urban professionals. All of them “look like people”. All of them are also “aliens” — they’re all alienated from each other. But only one of them can say that this situation is beyond his/her control.

November 29

Denis Villeneuve’s “Arrival” (2016)

I viewed Arrival on November 20, and am still not sure how I feel about it.

October 24

Pierre De Moro’s “Hellhole” (1985) – Girls Gone Wild

Hellhole is a glorious mess, albeit one rich in the currency of absurdity.

September 24

SciFi Saturday: “Morgan” (2016)

Morgan leans more in the direction of Blade Runner’s kinetic action scenes than Ex Machina’s wandering philosophical asides.

September 20

“High-Rise” (2015): Daze of Future Past (Part II)

Ballard creates cold, sterile worlds that are driven by concepts instead of characters, but he’s strong enough a writer that his narratives thrive with intellectual possibility as a result.

September 19

“High-Rise” (2015): Daze of Future Past (Part I)

Should filmmakers just leave certain books alone?