King builds a rich interior world for even the most peripheral characters, and creates perhaps his most fully realized, richly satisfying work ever.
Reading this novel always rekindles a connection with my own childhood naïveté (something I haven’t necessarily shaken).
Reading THE HOBBSBURG HORROR, I hear Thomas Flowers’ voice. I can see his influences, mostly because they are mine too, but I hear HIM. Underneath the supernatural in this story collection are real ghosts and demons.
Ballard creates cold, sterile worlds that are driven by concepts instead of characters, but he’s strong enough a writer that his narratives thrive with intellectual possibility as a result.
Should filmmakers just leave certain books alone?
Indie author Jeremy Thompson has released his second novel, Let’s Destroy Investutech (Bedlam Press, 2016). It combines the genres of horror and science fiction (especially cyberpunk), but it doesn’t confine itself within their well-worn tropes and clichés. In a way, Thompson has reimagined Mary Shelley’s Frankenstein (1818) as a futuristic, techno-capitalist nightmare. It’s the reductio ad absurdum of the Google-centric world in which we now live.
Check out my appreciation of Paul W.S. Anderson’s Event Horizon (1997) on Tumblr. [Crosspost via IFTTT]
Indie author Latashia Figueroa is a sly writer. In this volume, she offers three short horror stories, each of which seems rather tame as one begins to read. However, Ms. Figueroa is merely lulling the reader into a false sense of security.
PUZZLEMAN introduces a fascinatingly evil antagonist who invites comparison to certain iconic horror villains, such as Clive Barker’s Cenobites.